Varga Heni
Born in 1970 in Subotica.
At the age of 15, she was hired at the National Theater of Subotica in the former Yugoslavia in 1985 for the role of Ophelia in Shakespeare's Hamlet, directed by Slovenian director Vito Taufer. She was the youngest member of the National Theater for three consecutive years.
From 1990 to 1992 she studied in Paris, France at the International School of Movement Jacques Lecoq, after which she participated in the Katakala, Topeng and No Theater workshops organized by ARTA at Vincennes' Cartoucherie (Theatre du Soleil directed by Ariane Mnouchkine) until 1995 .
Since 1989, she has been a member of the dance company Denes Debrei Nyari Mozi Dance Company. She performed her first duo dance in 2003 and since then she performs Dance Duo almost every year, inviting artists to collaborate with them (musicians, painters, writers...). She believes that the essence of their collaboration is their relationship in time spent together, integrating their past as well as present experiences that have continuously developed over a period of 30 years. "Beautiful every day" is the title of their latest piece, which they created in 2020. članica je Denes Debrei Nyari Mozi Dance kompanije. Prvi duo ples izveli su 2003. godine i od tada skoro svake godine izvode Dance Duo pozivajući umetnike da sarađuju sa njima (muzičari, slikari, pisci.…). Smatra da je suština njihove saradnje njihov odnos u zajedničkom vremenu, integrišući njihovu prošlost kao i sadašnja iskustva koja se neprestano razvijaju tokom perioda od 30 godina. „Divan svaki dan“ naslov je njihove poslednje kreacije, koju su kreirali 2020. godine.
In 1995, she was hired by the choreographer Joseph Nagy, and since then she has been working with him, touring the world, especially with his choreography "Wojcek". Min Tanaka's work and "Body Weather" have deeply influenced her personal artistic expression and life. Before performing with him personally in 2003, she worked with several of his dancers in Europe (Christine Quaro, Frank Van De Ven, Oguri). Since 2007, he has been holding "Bodymapping" workshops that guide participants (artists or not) in the development of their sensory awareness, through different spaces (internal and external spaces) in which we evolve. Rad Min Tanake i “Bodi Veather” su duboko uticali na njen lični umetnički izraz i život. Pre nego što je nastupala sa njim lično 2003. godine, radila je sa nekoliko njegovih plesača u Evropi (Kristin Kvaro, Frenk Van De Ven, Oguri). Od 2007. godine drži radionice „Bodymapping“ koje vode učesnike (umetnike ili ne) u razvoj njihove senzorne svesti, kroz različite prostore (unutrašnji i spoljašnji prostori) u kojima evoluiramo.
Since 1998, he has been collaborating with Andraš Urban in Serbia as a performer or choreographer on several projects.
Since 2008, I have been dancing solo, collaborating with different musicians in fixed and improvisational performances in France (Toulouse), Hungary (Budapest), Serbia (Subotica).
In 2013, she obtained the French National Dance Diploma, which enabled her to teach at French national and regional conservatories.
Since 2016, he has been collaborating and building an international project with Theater I directed by Melissa Lorain in Chicago.
She is the dance art coordinator of the Center for Contemporary Culture and Art.
